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Research Interests

Black

Popular Culture

Caribbean music:

Dancehall, Reggae, Zouk, Hip-Hop, Bouyon, Dennery Segment

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​Social Media discourse:

Twitter, YouTube, Tik Tok

Theoretical Approaches

African diaspora theory

Black and Third world Feminist thought

Queer theory

Gender and sexuality in the Caribbean 

Masculinities

Femininities 

Queer identities

Creolistics

(the study of creole languages)

Language & racialization

Language & globalization

Language & gender

Code-switching 

Bivalency 

Black French studies

Colonialism

Cultural production

Intellectual Thought

Caribbean Literature

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Methods

Discourse Analysis

Queer linguistics

Ethnography (in person & online) 

Ethnographic and semi-structured interviews

Publications

Decolonizing Creolistics Through Popular Culture: The Case of Guyanais Dancehall in A. C. Hudley, C. Mallinson, and M. Bucholtz's Oxford University Press Decolonizing Linguistics. .

“‘Mwen Enmé’W’ [I Love You]: Black Queer Women’s Social Positioning in the French Caribbean” (forthcoming) in Gender & Language.

“Echoes of coloniality: Creole languages and Black queer Caribbean women’s negotiation of sexuality" (forthcoming) in The Oxford Handbook of Language and Sexuality.

Works in Progress

Dancehall Ka Joué [Dancehall is Playing]:

Gender and Sexual Politics at Play in French Caribbean

I am currently working on my first book manuscript based on my dissertation research Performing Otherness in Guyanais Dancehall: An Analysis of the Embodied Stylization of Bamby and Jahyanaï’s Rude Bwoy and Bad Gyal Personas. In Dancehall ka joué: Gender and Sexual Politics at Play in French Guiana, I examine the diffusion of dancehall music, culture, and language from Jamaica to the French Overseas department and region, French Guiana. In a region that is often let out of conversations on Frenchness, individuals in French Guiana reveal how dancehall offers them the opportunity to forge belonging within a global Black music and culture. Rather than identifying with Frenchness and the tumultuous politics of French republicanism that refuses to recognize difference, they see in, dancehall a place and space to forge a trans-Caribbean identity. 

Tapping into Global Blackness: The role of Creole languages in dancehall music 

1

Coucou Olala: Constructing Black WLW identity through Hip Hop/Dancehall

2

Guyanaïs Shattas: Refashioning gender and sexuality in French Guianese dancehall

Aya Nakamura: Misogynoir and the policing of Black French women bodies in French media

3

4

Balance ton porc: Denouncing sexual violence in the French Caribbean

5

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