
Research Interests
Black
Popular Culture
Caribbean music:
Dancehall, Reggae, Zouk, Hip-Hop, Bouyon, Dennery Segment
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​Social Media discourse:
Twitter, YouTube, Tik Tok
Theoretical Approaches
African diaspora theory
Black and Third world Feminist thought
Queer theory
Gender and sexuality in the Caribbean
Masculinities
Femininities
Queer identities
Creolistics
(the study of creole languages)
Language & racialization
Language & globalization
Language & gender
Code-switching
Bivalency
Black French studies
Colonialism
Cultural production
Intellectual Thought
Caribbean Literature
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Methods
Discourse Analysis
Queer linguistics
Ethnography (in person & online)
Ethnographic and semi-structured interviews
Publications
Decolonizing Creolistics Through Popular Culture: The Case of Guyanais Dancehall in A. C. Hudley, C. Mallinson, and M. Bucholtz's Oxford University Press Decolonizing Linguistics. .
Book Review: All English Accents Matter: In Pursuit of Accent Equity, Diversity, and Inclusion in Journal of English Linguistics
“S’habiller Sexy en Body String: The French Guianese ad gyal and the image of French Caribbean Women” in Small Axe: A Caribbean Journal of Criticism
“‘Mwen Enmé’W’ [I Love You]: Black Queer Women’s Social Positioning in the French Caribbean” (forthcoming) in Gender & Language.
“Echoes of coloniality: Creole languages and Black queer Caribbean women’s negotiation of sexuality" (forthcoming) in The Oxford Handbook of Language and Sexuality.
Works in Progress
Dancehall Ka Joué [Dancehall is Playing]:
Gender and Sexual Politics at Play in French Caribbean
I am currently working on my first book manuscript based on my dissertation research Performing Otherness in Guyanais Dancehall: An Analysis of the Embodied Stylization of Bamby and Jahyanaï’s Rude Bwoy and Bad Gyal Personas. In Dancehall ka joué: Gender and Sexual Politics at Play in French Guiana, I examine the diffusion of dancehall music, culture, and language from Jamaica to the French Overseas department and region, French Guiana. In a region that is often let out of conversations on Frenchness, individuals in French Guiana reveal how dancehall offers them the opportunity to forge belonging within a global Black music and culture. Rather than identifying with Frenchness and the tumultuous politics of French republicanism that refuses to recognize difference, they see in, dancehall a place and space to forge a trans-Caribbean identity.
Tapping into Global Blackness: The role of Creole languages in dancehall music
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Coucou Olala: Constructing Black WLW identity through Hip Hop/Dancehall
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Guyanaïs Shattas: Refashioning gender and sexuality in French Guianese dancehall
Aya Nakamura: Misogynoir and the policing of Black French women bodies in French media
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4
Balance ton porc: Denouncing sexual violence in the French Caribbean
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